上海外滩美术馆邀请曼谷建筑事务所all(zone)策划第二届外滩建筑节（RAM assembles）。今年，这场探讨建筑思考的双年盛会以“上海野餐”为题。我们以“野餐”这一开放、临时、灵活而集体性的形式作为隐喻，希望这一届的公共项目可以展开新的对话——关于如何建设、如何共居、以及如何适应与转化，并通过艺术家共创工作坊、表演和建筑师讲座等多样形式的活动，构建一个新的让人们可以倾听和交流的平台。这些激发跨界协作、创意实验与社区参与的项目活动在洛克·外滩源街区内全日段开展，各具焦点。
“啡常城市：咖啡渣城市野餐计划”试图透过咖啡渣这一社会生产链条的剩余物，窥见现代主义城市中关于文化、生态与集体的一部分普遍运作模式。在此基础之上，项目以公众的参与式空间创作从宏观解决方案控制下的被动产物出发，希望通过观察、反思及主观重构以重拾一种独特的集体与个体的主动权。
项目的参与者一方面对于外在的现实需求、城市空间、文化生态等作出反思性的创意观察，而另一方面对于自身作为都市居民的集体生活、共处方式、个体重构等，也得以从日常甚少涉及的跨界实验视角体会感受。从物质角度而言，参与者将亲自创作具象与抽象结合的映射现实的艺术作品，而从非物质角度而言，参与者将从观察与理解现代都市的多样现实属性，进而思考并再构其内在的个人转变。
四场工作坊回应本次建筑节关于“集体”、“流动”与“共在”的讨论及探索，项目以关于消耗与剩余的日常产物结合城市野餐这一适应性反思，探讨建设与革新、城市与集体及资源与气候之间的关系，希望唤起参与者关于建筑与城市空间中集体生活意义的重新审视与构想，以及对于跨界协作与创意实验的社区式参与，从而在宏观现代主义的“普遍解决方案”之下，以创造性的相聚鼓励并促进人们探讨都市生活的共处新模式。
项目策划人/艺术家团体简介
结合在数字化创作、构筑物装置、空间艺术化概念重构及都市主义创新方面的丰富经验，JXY Studio 的每个项目都立足于逻辑化研究与创造性实践。艺术家从岭南丰富的文化底蕴及东西方文化的交汇中汲取灵感，并以这种独特的视角推动建筑与艺术的跨学科探索。
JXY Studio 获 Architizer A+Awards 2025 最佳微型公司入围奖，第三届筑事奖年度入围人物奖，IDEAT 理想家第七届未来大奖年度设计新力量入围，Design Anthology 设计选集大奖 2024 新锐人才入围。工作室的两位合伙人同时担任广州美术学院校外导师，参与通识核心课程及建筑设计课程的教学与研究。
徐越以高等荣誉获得美国密歇根大学城市设计硕士学位，拥有华南理工大学建筑学学士学位并专修城市设计方向。
徐嘉迅获美国康奈尔大学高级建筑设计硕士学位，拥有华南理工大学建筑学学士学位并专修历史建筑保护方向，以及纽约电影学院电影制作文凭。
Bangkok-based architecture practice all(zone) directed and curated the second edition of RAM assembles—the Rockbund Art Museum, Shanghai’s biennial festival of architectural thinking. This year’s edition, themed “Shanghai Picnic,” adopted the idea of a picnic as a grounded, open-ended, flexible, and collective framework to foster new conversations about how we build, how we live, and how we adapt. Through artist-led co-creation workshops, performances, and public talks, the festival offered a space for coming together—for listening, exchanging, and building new ways of being in common. Over two weeks, these events unfolded across the ROCKBUND neighborhood, encouraging collaboration, experimentation, and community engagement.
Urban Picnic with Coffee Grounds attempts to see through the remnants of the social production chain of coffee grounds, a part of the general operation mode of culture, ecology and collectivity in modernist cities. On this basis, the project starts from the passive product under the control of macro solution and takes public participatory space creation as the starting point. It hopes to regain a unique initiative of collective and individual through observation, reflection and subjective reconstruction.
Participants in this project were afforded the opportunity, on the one hand, to engage in reflective and creative observation of external realities—such as urban spatial configurations, cultural ecologies, and material needs—while, on the other, to experience and contemplate, from the rarely encountered vantage point of cross-disciplinary experimentation, the dynamics of collective life, modes of coexistence, and individual reconstruction as urban dwellers. From a material perspective, participants will create artworks that fuse figuration and abstraction to reflect lived reality. From an immaterial perspective, they will explore and interpret the diverse attributes of contemporary urban life, thereby prompting critical thought and reconfiguration of their own inner transformations.
Responding to this festival’s thematic inquiry into collectivity, flow, and being-together, the four workshops approach the interrelationship between construction and renewal, the city and the collective, and resources and climate through an adaptive reflection on consumption and surplus, combined with the urban picnic as a performative frame. It aspires to prompt participants to re-examine and reimagine the significance of collective life within architectural and urban contexts, and to encourage community-based engagement in cross-disciplinary collaboration and creative experimentation. In doing so, it seeks to generate inventive gatherings that, beneath the overarching paradigm of modernism’s universal solutions, foster dialogue on new modes of cohabitation in contemporary urban life.
Artist/Team Intro
Combined with extensive experience in digital creation, spatial installation, artistic re-conceptualization of space, and innovative urbanism, each project of the studio is grounded in both logical research and inventive practice. Drawing inspiration from the rich cultural heritage of Lingnan and the intersection of Eastern and Western cultures, JXY Studio uses this unique perspective to fuel the interdisciplinary explorations of architecture and art.
JXY Studio has been named a Finalist for the Architizer A+Awards 2025 Best Micro Firm, the Best Building & Story of China Annual Creators, the 7th IDEAT Future Award Design New Power, and the Design Anthology Awards 2024 Emerging Talent. The two founding partners also serve as adjunct faculty at the Guangzhou Academy of Fine Arts, actively engaging in the teaching and research of core general education and architectural design courses.
Yue received her Master of Urban Design with high distinction from the University of Michigan and her Bachelor of Architecture from the South China University of Technology with a specialization in Urban Design.
Jiaxun holds a Master’s degree in Advanced Architectural Design from Cornell University, a Bachelor of Architecture from the South China University of Technology with a specialization in Historic Building Conservation, and a Filmmaking diploma from the New York Film Academy.
