8个介于“现实”与“虚构”之间并自成体系的岛屿，MAP Office创作出关于香港未来的预言；郭熙、张健伶运用特定的线索找寻和蓝色绣球花有关的时空地理故事；“现场边”深入上海的水上生活，从“经济地理”揭示环境的变迁；苏育贤以台湾殡葬礼仪的纸扎文化为指涉，隐喻历史经验中的“匮乏”；曺海準和李京洙集结个人历史中的碎片进行重组、建构，折射出关于一个时代的集体回忆；闪烁的火花、忽闪的画面伴随间断的火花声，阿彼察邦·韦拉斯哈古叙述了美军追捕越共的黑暗历史；陈界仁以录像方式回视曾是工厂厂长的瓦旦坞玛的生命情境；瓦旦坞玛以他的身体作为主要媒介挑战身份认同，传递台湾现实生活的精神状态；米田知子的观念摄影让我们重返了库页岛的历史，和当时发生在岛上日本居民的变迁；田中功起挖掘发生在京都市立美术馆几段特别的历史，以社会参与的形式激发公众重访地方；区秀诒以捡拾影像作为重要手段，描述一个地域的认同过程中发生的转化、异化。

遵循展览的三大主线：“从想象地理展开”、“重访、想象、建构历史”和“地方的能动性与新叙事”，五场艺术家、策展人和邀请来宾的对谈将跨越不同纬度的地域，切入各种历史幽径结合各自的创作进行对话。

09:35-10:45 区秀诒(艺术家)+田中功起(艺术家)

主持人：郑慧华（展览策展人）

10:50-12:00 苏育贤(艺术家)+曺海準(艺术家)

13:50-15:30 现场边(艺术家)+MAP Office(艺术家)+郭熙、张健伶(艺术家)

主持人：谢丰嵘（展览策展人）

15:45-16:55 瓦旦坞玛(艺术家)+王墨林（台湾小剧场实践者、评论家）

主持人：郑慧华 （展览策展人）

17:00-18:10 米田知子(艺术家)+施瀚涛 （瑞象馆执行总监）

With eight systematized individual islands which exist between “reality” and “fiction”, MAP Office predicts Hong Kong’s future. Guo Xi and Zhang Jianling trace specific clues to find temporal and spatial geographical stories related to blue hydrangea. “Field Recordings” delves deeply into marine life in Shanghai to reveal environmental changes from the lens of “economic geography”. Su Yu-Hsien utilizes the culture of paper craft art in Taiwan funeral rite to allude to “deficiency” in historical experience. Haejun Jo and Kyeong Soo Lee assemble, reorganize and structure fragments from individual history, reflecting a collective memory of an era. Flickering sparks and flashing scenes with the flare crackling on and off, Apichatpong Weerasethakul relates the dark history of American Army hunting Vietnamese communists. Chen Chieh-Jen filmed Watan Wuma, once a chief director of a factory, to look back at his living experiences. Watan Wuma uses his body to do performance art as a major medium to challenge his identity and convey the social political realities of Taiwan. Conceptual photographs of Tomoko Yoneda leads the audience back to the history of Sakhalin and its Japanese inhabitants’ return to an unfamiliar Japan. Koki Tanaka discovers several special historical episodes of Kyoto Municipal Museum of Art and motivates the public to revisit historical landmarks in the form of community participation. Au Sow-Yee takes found footages as her main fundamental method to describe the transformation and alienation during a regional assimilation.

Following three main threads of the exhibition, namely “beginning from imaginary geography”, “revisiting, imagining and structuring history” and “local initiatives and new narratives”, the five discussions between artists, curators and guest speakers will stride across regions of various latitudes and integrate individual originality with assorted historical perspectives.

09:35-10:45 Au Sow-Yee (Artist) + Koki Tanaka (Artist)

10:50-12:00 Su Yu-Hsien (Artist) + Haejun Jo (Artist)

13:50-15:30 Field Recordings (Artist) + MAP Office (Artist) + Guo Xi, Zhang Jianling (Artist)

15:45-16:55 Watan Wuma (Artist) + Wang Mo-lin (Culture Critic, Theatre Director in Taiwan)

17:00-18:10 Tomoko Yoneda (Artist) + Shi Hantao (Executive Director of Ray Art Center)

38/F, No. 59, Siping Rd., Hongkou District, Shanghai

Rockbund Art Museum 上海外滩美术馆

Locality and Narrative 地方性与叙事

Event Information

活动信息

Tell Me a Story: Locality and Narrative 告诉我一个故事：地方性与叙事