I will talk about my field recording. It’s not technical talk. About my concept of recording.I was studied western painting in 1980th. So my background is fine art. I have no experience on musical theory and practice. So my recording work is just the same painting the landscape.And how to realize and describe “scenery” or “landscape” for us.
About Toshiya Tsunoda
Tsunoda is a sound creator known for his using environmental sounds as a motif. From the late 1980s he began working in the plastic arts and doing field recordings and continued to produce highly experimental sound works. He is particularly highly acclaimed abroad, frequently producing works for sound art exhibitions, and releasing CDs from various country's labels.
我将与大家分享的是我做的一些实地（现场）记录，它并非是技术层面上的，而是关于我对“记录”理念的表达。在1980年代，我正学习西方绘画，故我的背景是美术。我并没有在音乐理论或该领域实践的经验，所以我的记录工作只是画风景画而已，以及如何体会与描述“风景”或“景色”。
关于角田俊也
角田俊也 是一个以运用环境中的声音作为其作品主题而闻名的声音创造者。自20世纪80年代后期起，他开始进入“造型艺术” 领域，做一些实地记录的工作，以及持续地创作高度实验性的声音作品。他特别地受到国外艺术界的赞誉，经常为一些声音艺术展创作作品，同时，他也在不同的国家发行唱片。