Rockbund Art Museum 上海外滩美术馆

Over the last two years, as we have travelled between the museum and the surrounding streets in our participation in RAM's inter-parlor projects, we have come to understand the difference in language used and the energy density between striking up conversations in the alleyways and talking to people on the street, walking quietly through the demolished alleyways and lazily wandering down Hong Kong Road, watching people pass by in the afternoon by the Su River and watching them in the evening at the museum. The difference between the language used and the difference in energy density between people.

Music is also like speech; some words are spoken in a straightforward, intimate manner and feel close to the person; others are spoken in a somewhat obscure manner, or are self-referential or even phrases that circulate in the mind and seem distant from the person.

Under the flyover, it lends itself to the kind of music that is commonplace and straightforward with people; it's a good way to quickly catch and invite unfamiliar passers-by to join in the music in a noisy city; you can't touch the strings lightly and mumble, you have to make music that is denser than the density around you to make it work. And in an art gallery, where the message of others other than the work being displayed is absolutely giving way to thinness, this is where you can make music that is subtle, obscure and allows people to stop and savour it.

Intimate and straightforward music & abstract music

Intimate, straightforward music can describe an up-close and personal acquaintance with a neighbourhood alderman, a street character, while abstract music might be a lingering sense of reincarnation in the area, a breathless fatalism between buzz and cool.

This is the 'recipe' for mastering the distance between the listener and the music through the application of musical 'density'.

"Through this performance, Divine Air Now wants to express the experience of the project "The Parlour" in the same venue with two seemingly different kinds of music, you can be in the museum and by the flyover at the same time. This performance will also include new members, and is an experiment with a small band line-up.

Tracklist: 1~5 New Songs from God's Air; 6. Full Moon and Good Flowers (Huqiu Songbook) 7. Susanna (Huqiu Songbook) 8. Little Sister Gives You a Lesson (RAM Highlights 2019) 9. Little Female Employee / Female Man (RAM Highlights 2019) 10. Seeing Tricks (Wrecking Chan Awareness) 11. What He Said Reminds Me of the Genus (Wrecking Chan Awareness) 12. Most Gentle Water Ghost (Walk Along the Su River)

最近两年，“神炁现形”在参与RAM的客堂间项目中，穿梭在美术馆与周边的街道之间，我们逐渐掌握到，在弄堂里与人搭讪和在街边与人攀谈、悄摸摸地走在正在拆迁的弄堂中和懒散地荡在香港路上，在苏河边看着人们穿梭的下午和在美术馆看展的傍晚，这之间使用的语言的区别与人和人之间能量密度的差异。

音乐也像说话，有些话说得很直白，很亲切，与人感觉距离很近；有些话说得有些晦涩，或是自言自语，甚至是脑内循环的语句，与人看似距离很远。

在天桥下，适合那种与人共乐的通俗直白的音乐，这是你在嘈杂的城市中迅速抓住且邀请陌生的路人加入音乐的好的方式，你不能轻触琴弦，喃喃自语，你要做出比周围密度浓重的音乐才能奏效。而在美术馆，除了被展示的作品，其他人的信息是绝对让位的稀薄，这时，你可以做一些细微的，晦涩的，允许人们驻足品尝的音乐。

• 亲切直白的音乐 & 抽象的音乐

亲切直白的音乐，可以形容一位近距离深度了解的社区阿伯、街道人物，而抽象的音乐也许是一种萦绕在这个地区挥之不去的轮回感、一种热闹和清冷之间的犹如呼吸一般的宿命感。

这是通过音乐“密度”的应用来掌握与听者之间的距离的“秘方”。

“神炁现形”想通过这次演出，把在“客堂间”项目中的体会，用这两种看似不同的音乐同场表达出来，你可以同时在美术馆，也在天桥边。此次演出也会有新的成员加入，是一个小乐队表演阵容的尝试。

曲目单：1~5 神炁新曲；6.月圆花好（虎丘歌本）7.苏珊娜（虎丘歌本）8.小姐姐给你上堂课（RAM Highlights2019）9.女小员工/女汉子（RAM Highlights2019）10.见招拆招（肆陈相识）11.他说的让我想起属的问题（肆陈相识）12.最温柔的水鬼（沿苏河漫步）

如果把数理的世界比喻成血管，那么“炁”这种贸穿宇宙和人体的能量则是热的、正在流动的血液。“神炁现形”

是由独立音乐人、剧场实践者、艺术工作者孙大肆所带领的艺术团体。“神炁现形” 深入社区，与接触到的每位有缘人探讨 “灵感”的定义与获得、运作机制，发掘人的“悉”如何通过数理的方法转化、呈现成艺术作品，探讨“人来疯”这种民间“小确幸” 登入艺术“大雅之堂”的可能。