上海外滩美术馆邀请曼谷建筑事务所all(zone)策划第二届外滩建筑节（RAM assembles）。今年，这场探讨建筑思考的双年盛会以“上海野餐”为题。我们以“野餐”这一开放、临时、灵活而集体性的形式作为隐喻，希望这一届的公共项目可以展开新的对话——关于如何建设、如何共居、以及如何适应与转化，并通过艺术家共创工作坊、表演和建筑师讲座等多样形式的活动，构建一个新的让人们可以倾听和交流的平台。这些激发跨界协作、创意实验与社区参与的项目活动在洛克·外滩源街区内全日段开展，各具焦点。
"在移动中进食：当代用餐实践"是一场由新书分享会延伸出的城市观察与行动实践活动，围绕当代人在非家庭、非餐厅的“流动空间”中完成进⻝行为的方式与意义展开。项目以“第四空间”为切入点——那些位于城市边缘、建筑缝隙或灰色地带的非正式场所，往往被忽视，却承载着人们临时停留、调整节奏甚至进⻝的日常实践。
每场活动分为两部分。第一小时的分享会中，艺术家将结合书籍内容与跨国案例，探讨“交通⻝物”“交通餐桌”等概念，以及边走边吃的社会文化背景与感官体验。观众也可分享自己在街头、车上或空中进⻝的经历，共同梳理这些被日常习惯掩盖的身体动作与心理感受。第二小时，10 位参与者自带⻝物，在外滩源区域进行一次“移动进⻝”探索。他们将在行走与进⻝的过程中记录路线、停留点、感官变化与遇见的事件，并在活动末尾回到集合点，以圆桌的形式交流体验。通过这种人为制造的不稳定场景，参与者需要不断判断何处适合停留、如何处理进⻝痕迹，以及在公共空间中的身体安全感。项目旨在让人重新觉察咀嚼、吞咽等细微动作背后的空间政治与社会心理，同时以感官为媒介，重新认识城市的结构与节奏。
艺术家简介
陈文怡，常用的网名为“小光”，2001 年出生香港并生长于上海和伦敦，毕业于伦敦艺术大学传媒学院摄影本科，现就读东京庆应义塾大学媒体设计修士。内敛的性格加上多元的成长环境，使她在日常生活中始终保持着敏锐的观察力。她喜欢以温和而幽默的方式介入正在发生的事件，着眼于公共空间中的私密时刻，从中萌生出独特的叙事，通过摄影、文字、声音、雕塑等多种媒介来重构当代日常景观。她已出版作品包括 A Guide to Fry an Egg: The Egg Theory on Photography、《你发现了吗？藏在上海街头的一只鸭子》等，作品曾在北京和厦门的三影堂摄影中心、伦敦 Royal Academy of Arts、上海富士 X-Space 等地展出。
Bangkok-based architecture practice all(zone) directed and curated the second edition of RAM assembles—the Rockbund Art Museum, Shanghai’s biennial festival of architectural thinking. This year’s edition, themed “Shanghai Picnic,” adopted the idea of a picnic as a grounded, open-ended, flexible, and collective framework to foster new conversations about how we build, how we live, and how we adapt. Through artist-led co-creation workshops, performances, and public talks, the festival offered a space for coming together—for listening, exchanging, and building new ways of being in common. Over two weeks, these events unfolded across the ROCKBUND neighborhood, encouraging collaboration, experimentation, and community engagement.
Eating in Motion: A Practice on Contemporary Dining is an urban observation and participatory action that grows out of a newly published book, exploring how people eat in spaces outside the home or restaurant. The project focuses on the idea of the Fourth Space — informal, often unnamed in-between places within the city’s fabric, such as architectural gaps, transitional corners, or urban edges. These overlooked spaces host small, temporary activities, from waiting and smoking to, perhaps unexpectedly, eating.
The program unfolded in two parts. In the first hour, the artist shared concepts from her book, including ‘transit food’ and ‘transit tables’, alongside cultural and historical examples of eating while moving around the world. The audience were invited to share their own experiences of eating in streets, vehicles, or other unconventional settings, collectively mapping out the gestures and feelings often hidden by routine. In the second hour, ten participants brought their own food for a "eating in move" exploration around the Bund area. While walking and eating, they recorded their route, stopping points, sensory impressions, and encounters, and returned at the end for a roundtable discussion. By setting up an intentionally unstable scenario, the project prompted participants to reconsider where and how one can eat in public, the social perceptions around it, and the sensory awareness it awakens—ultimately reimagining the city’s structure and rhythms through the act of eating.
Artist Intro
Manyi Chan was born in Hong Kong in 2001 and grew up in Shanghai and London. She graduated with a bachelor’s degree in photography from the London College of Communication (UAL), currently pursuing a master’s degree in media design at Keio University in Tokyo. Her practice reimagines everyday landscapes with a poetic and theatrical sensibility, incorporating photography, text, sound, and sculpture. She engages with unfolding events in a gentle and humorous way, crafting narratives that arise from private moments within public spaces. Urban landscapes, everyday objects, and social experiences are areas that particularly intrigue her. Her published works include A Guide to Fry an Egg: The Egg Theory on Photography and Duck in London. Her work has been exhibited at venues such as Three Shadows Photography Art Centre in Beijing and Xiamen, the Royal Academy of Arts in London, and Fujifilm X-space in Shanghai.
