上海外滩美术馆 Rockbund Art Museum

《革命鬼魂》 The Revolutionary Ghost

活动信息

日期: 2026年 4月 23日
时间: 10:00 11:00
场馆: 上海外滩美术馆
主讲人: 陈琼英
语言: 粤语,配中英双语字幕

Event Information

Date: 23 April 2026
Time: 10:00 11:00
Venue: Rockbund Art Museum
Speaker: Arlette Quỳnh-Anh Trần
Language: Cantonese with Mandarin and English subtitles

作为群展“伟大的掩饰”的一部分,上海外滩美术馆将呈现艺术家陈琼英(Arlette Quỳnh-Anh Trần)的作品《革命鬼魂》(The Revolutionary Ghost,2026)。这部由美术馆委任的作品目前仍在创作中,并首次面向公众呈现。之后,现场还将放送艺术家与策展人对谈录像。

作品《革命鬼魂》追随曾雪明的灵性之旅展开——她曾是李瑞(胡志明早年的化名)在广州时期的妻子。她的灵魂穿梭于时空,最终抵达了当代纽约。作品以诗意的随笔式镜头,交织出20世纪横跨洲际的革命历史暗流:从非裔美国人群体的大迁徙与哈莱姆文艺复兴,到胡志明在美国度过的隐秘岁月,再到广东和香港地区活跃的地下共产主义运动。

作品避开了对于英雄肖像的宏大刻画,潜入历史表象之下,挖掘那些伴随女性革命者身上沉默而强大的影响力。她们的牺牲、渴望以及对自由的向往,在国家与意识形态的斗争中激荡回响,并最终在爱、命运与抗争那微妙的罅隙间显影。


As part of The Great Camouflage exhibition, Rockbund Art Museum is pleased to announce a free screening of Arlette Quỳnh-Anh Trần's film The Revolutionary Ghost (2026); a first look into a work-in-progress commissioned by the museum. Following the screening, there will be a pre-recorded Q&A with the artist.

The Revolutionary Ghost follows the ethereal journey of Zeng Xueming, the Cantonese wife of Lý Thuỵ (Hồ Chí Minh’s former alias), as her spirit drifts through time and space, arriving in modern-day New York. Through a poetic, essayistic lens, the film weaves together the trans-continental currents of 20th-century revolutionary history—from the Great Migration and the Harlem Renaissance of African American communities, to Hồ Chí Minh’s clandestine years in America and the secretive communist movements of Guangdong and Hong Kong. Eschewing iconic portraits, the narrative seeps beneath the surface of history, uncovering the silent, powerful influence of women who accompanied the revolutionaries. Their sacrifices, desires, and thirst for freedom echo through the struggle for country and ideology, revealed in the delicate interstices of love, fate, and resistance.

关于艺术家 About the Artist

Portrait of Arlette

照片:Minh Red Nguyen


Photo: Courtesy Minh Red Nguyen

陈琼英(Arlette Quỳnh-Anh Trần)是一位常驻西贡的“艺术劳作者”,因其个人与集体的艺术实践,以及在策展和写作方面的贡献而受到关注。她的作品将政治论述与科幻美学相结合,运用动画、3D设计、历史档案和建筑等多种媒介进行创作。陈琼英尤其致力于探索“未来主义第三世界乌托邦”的概念——在此视角下,政治理想被重新想象,人类与非人类实体得以并存与融合。通过作品,她对现代史进行了非线性的、荒诞的诠释,从而批判性地审问了后冷战时期关于第三世界的主流叙事。

陈琼英曾就读于柏林自由大学、布拉格查理大学及加州艺术学院(CalArts)学习艺术与理论,并获得富布赖特奖学金资助。她曾任柏林世界文化宫(HKW)“SYNAPSE”研究员;德累斯顿工业大学艺术与音乐科学学院“网络中的艺术:民主德国及其全球关系”研究员;2022年旧金山亚洲艺术博物馆“玛格丽特·F·威廉姆斯纪念”研究员;以及2025年亚洲文化协会(ACC)纽约研究员。2012年,她共同创立了“艺术劳工”(Art Labor)集体,在多种公共语境下开展视觉艺术与其他学科的跨界协作。该集体致力于长期且多元的项目开发,例如种子的培育与耕耘。

Arlette Quỳnh-Anh Trần 陈琼英

Photo: Courtesy Minh Red Nguyen照片:Minh Red NguyenArlette Quỳnh-Anh Trần is an art laborer based in Saigon, recognized for her individual and collective artistic practices, as well as her curatorial and writing contributions. Her artworks combine political discourse with science-fiction aesthetics, employing mediums such as animation, 3D design, historical archives, and architecture. Arlette is particularly engaged with the concept of a futuristic Third World utopia, where political ideals are reimagined, allowing for the coexistence and integration of human and non-human entities. Through her work, she presents a nonlinear and absurd interpretation of modern histories that critically interrogates dominant post-Cold War narratives concerning the Third World.

Arlette studied art and theory at Freie Universität Berlin, Univerzita Karlova in Prague, and the California Institute of the Arts, supported by a Fulbright scholarship. She was a SYNAPSE Fellow at the Haus der Kulturen der Welt, Berlin; Art in Networks: GDR and its Global Relations Fellow at the Institut für Kunst- und Musikwissenschaft, TU Dresden; the 2022 Margaret F. Williams Memorial Fellow at the Asian Art Museum in San Francisco; and the 2025 New York Fellow of the Asian Cultural Council. In 2012, she co-founded the Art Labor collective, working at the intersection of visual arts and other disciplines in various public contexts. The collective is committed to long-term, multifaceted projects like seed cultivation.