这场对谈为2025年春季项目拉开序幕，邀请三名参展艺术家交流分享。在全球政治、经济和社会秩序加速瓦解的当下，她们的作品虽取径各异，但都意在审视和质询不同形式的“和解叙事”是否可能藏匿了深层的隔阂。这些裂痕构成了展览主题的核心线索，包括南斯拉夫的恶性通货膨胀、1970年代中国的图书查抄以及全球供应链中不可见的断裂。
海杜克、莫尼兹和武雨濛从这些主题出发，共同反思在崩溃中幸存的、脆弱的团结和连结。她们在这种不确定性中追问：在价值和记忆的基础设施崩塌后，有什么未完成的联盟形式可以从中浮现？在这断裂而非凯旋的时代，又有哪些传递、哪些姿态、哪些未竟的国际主义事业仍在我们之间流传？
This conversation marks the opening of the Spring 2025 program and brings together its three participating artists. Amid an accelerating global disintegration of political, economic, and social orders, their works interrogate and question in different ways the narratives of reconciliation that can conceal deeper forms of fracture. These breaks are central to the themes explored in their exhibitions, including the hyperinflationary collapse of Yugoslavia, the confiscation of books in post-revolutionary China, and the invisible ruptures of global supply chains.
Building from these themes, Haiduk, Moniz, and Wu reflect on the fragile forms of solidarity and connection that survive after collapse. They ask questions that press on this uncertainty: What forms of unfinished alliance can emerge when the infrastructures of value and memory collapse? What transmissions, what gestures, what unfinished internationalisms still pass between us, not in triumph, but in fracture?
