Introduction
Two Figures in a Landscape （Duo）
Choreography JUTTA HELL
Costumes/Sculptures JONATHAN BALDOCK
Dance/Choreography LI LING XI, DIETER BAUMANN
Growing from the idea of a sculptural costume installation, the eastern and western body is “neutralized” through fabric and costume.
The costume - the fabric, the design and the cut - shape their bodies their movements and their interactions.
The piece is an ongoing metamorphosis of body and costume/sculpture. A path through different ?landscapes“ of form and meaning, casual and ritual.
Of the costumes and sculpture designed for the Tanzcompagie Rubato in Shanghai, Jonathan Baldock says, “My practise continually references the human form. Therefore, it seemed a very natural progression to place a ‘live’ human body within the work”. Taking inspiration from references as disparate as the cloaked monk of Medieval Europe, Chinese Opera and Modernist abstraction, the outfits consider the idea of costume as sculpture and painting, which through the movement of dance become live painterly forms of expression.
Xing Fu / Happiness （Solo）
Choreography JUTTA HELL
Music/Soundmix DIETER BAUMANN
Dance/Choreography LI LING XI
Through the source of her own dance history in classical and folkdance, dancer Li Ling Xi remembers her her heritage and follows the path of changes and breaks from the past into the present.
关于活动
景中人（双人舞）
编舞： 约塔·海尔
服饰设计： 乔纳森·巴多克
编舞、表演： 李翎溪、迪特尔·鲍曼
展现身体、服装/雕塑的变形过程，也是一条通往不同“景观”之路的形式与意义，是偶然的也是仪式的。
关于为在上海期间路巴托舞团所运用服装与雕塑，设计师乔纳森·巴多克说：“我一直参照人形来尝试创作，这次也不例外。所以，似乎这些服饰很自然的和‘活’的身体并置在一起。”灵感来源甚广而颇不相关，比如中世纪欧洲僧侣的斗篷，中国戏曲与现代主义抽象图形，通过舞蹈律动，整套服饰呈现了将服装当做雕塑与绘画的想法，也是现场绘画的表达方式。
幸福 （独舞）
编舞： 约塔·海尔
音乐、混音：迪特尔·鲍曼
编舞、表演： 李翎溪
舞者李翎溪透过自己曾经从事古典与民俗舞蹈的历史牢记自己的传承且遵循从过去到现在不断变化又休憩之路。