崔允信

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无浪城市——香港独立影像展



这是两座繁荣城市的窄路相逢。



日常生活把彼此铺平，似乎没有一道巨浪打破愈发相似的风景。但记忆和现实却纠缠和打乱着那些庸常的故事，并提出疑问。平静的水面之下，是生猛鱼虾的自由游曳。波澜不惊处，未必没有拒斥的声音。



这次我们将集中展映一批香港主流电影工业以外的影像，看视觉如何在这过去的十五年间，在700万香港人的现实之内和想象之外，被生产和咀嚼。纪录抑或虚构，穿梭在这些影像内外的，是尝试理解香江，并面对自己的愿望。



这是两座相像到容易唤出乡愁的城市。但这次迎面走来的，却是一个陌生的香港，召唤出陌生的自己。狮子山不再，苏州河不复。2046很近。



《忧忧愁愁的走了》

导演：崔允信

主演：余文乐、何华超、登勤、吕国慧、何韵明、尚明辉

香港/ 2001 / 90mins / 彩色/ 剧情片

粤语对白，中英文字幕



电影简介：

《忧忧愁愁的走了》是香港首出以Dogme风格拍成的独立长片，镜头灵活有劲，角色生动具真实感。三段故事六个人物︰包括一个信仰迷失的牧师、一个空虚的多情男人，和一个隐藏着无限伤痛的杂志编辑，纪录了这几年香港人在政治和感情上的曲折经历。外景遍及旧金山、北京及深圳各地，多线及事件穿插的叙事结构极具趣味性，其制作规模之大更为本地独立电影罕见，《长途电话》、《背叛》导演崔允信声明大噪之作。



入选影展及获得奖项包括：

第26届香港国际电影节

第5届多伦多Reel Asian国际电影节

Director：Vincent Chui

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Hong Kong No Wave

—— Independent Films from the SAR



This is two prosperous cities meeting on a narrow path.



Routines have smoothened the rough edges, as if nothing has disrupted their increasingly similar appearances. But memories and reality keep interrupting these simple stories, asking questions. Beneath the mirror-like stillness, life is in abundance. There are noises even when there is no wave.



A showcase of moving images from outside the mainstream of Hong Kong's film industry. A look at the production and consumption of visuals by the seven million inhabitants of Hong Kong in the past 15 years – within their reality and beyond their imagination. Be it documentary or fiction, weaving in and out of these images, is an attempt to understand Hong Kong and to face up one's dreams.



These are two cities so similar that they draw out a sense of homesickness from each other. But this time, the Hong Kong that walks towards us is a stranger, it beckons the stranger within us. Lion Rock, Suzhou Creek, they are no more; but 2046 is upon us.



Leaving in Sorrow

Director: Vincent Chui

Starring: Shawn Yu / Tony Ho / Duncan Lai / Crystal Lui / Ivy Ho / Sheung Ming Fai

Hong Kong/ 2001 / 90min / Color / Fiction

In Cantonese with Chinese and English subtitles



Film Synopsis:

Leaving in Sorrowis a gritty, realistic portrayal of Hong Kong in the aftermath of the Asian Financial Crisis. It is the first Hong Kong production filmed in the Dogme 95 style using handheld cameras, natural lighting and real locations. The film follows a disparate group of characters including a pastor, a magazine editor and a slacker from San Francisco who find their lives suddenly turned upside down by events beyond their control.



Participating Festivals:

Official Selection, The 26thHong Kong International Film Festival

Official Selection, The 5thToronto Reel Asian International Film Festival

Director：Vincent Chui

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Hong Kong No Wave

—— Independent Films from the SAR



This is two prosperous cities meeting on a narr...

上海外滩美术馆 Rockbund Art Museum

无浪城市—香港独立影像展：《忧忧愁愁的走了》 Hong Kong No Wave: Leaving in Sorrow

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