Rockbund Art Museum 上海外滩美术馆

Myth of Arrival 抵达的神话

Event Information

Date: 30 July 2022
Time: 08:00 09:30
Venue: Rockbund Art Museum
Speaker: Ag
Language: Chinese

活动信息

日期: 2022年 7月 30日
时间: 08:00 09:30
场馆: 上海外滩美术馆
主讲人: Ag
语言: 中文

About the Event 关于活动

Inviting scholars, critics, curators and professionals from different fields to share experience and expertise, the "Walk and Talk" series intends to provide audience with more possibilities and perspectives to gain insights into the exhibition context and practice of the artists. This time we invite writer and filmmaker Ag to make a short film specially for the exhibition An Imperial Message. Drawing on elements from both literature and moving image, she shows her response to and imagination of the notion of "arrival" in Adel Abdessemed's art.

Adel Abdessemed began his artistic career at a very young age, producing works in Batna, Algiers, Lyon, Paris, New York, Berlin and, once again, Paris. Traces from the turbulent journeys and a sense of being "beyond arrival" are perceived in his works, like the boat moving aimlessly on the sea, the human figures seeming to be falling in the empty void of paper, or the pigeon perching quietly on a metallic barrier.

"Beyond arrival" in the geological sense can be measured in this way or another, but linguistic and conceptual approaches are more good at revealing the lost traces. Abdessemed apparently is an artist adept at constructing and representing uncertainties through different media, narratives and perspectives.

Different as they are, media try to delineate the eternal recurrence: film measures the transient through movement, and literature on the other hand builds the vessel of its own escape and burns it to outline conceptual paradoxes.

Does perspective determine the map of phenomenon, the directions, position of the center and velocity? To go or to come? Who will collapse during the process of wandering?

The Walk and Talk session will include a guided tour and lecture. Participants will walk through the exhibition together with the speaker first and then engage in an in-depth and inspiring dialogue.

“游读”系列旨在通过邀请跨学科的学者、评论家、策展人或者专业媒体人,从个人及不同专业的视角,给观众提供更多面向及可能性进入展览语境和艺术家的创作。而针对此次展览,我们邀请到了写作者和电影从业者Ag,她正为本次展览拍摄一部特别的短片,她将从文学-影像的复合维度切入,表达对阿岱尔创作中“抵达”之意的回应与想象。

阿岱尔·阿德斯梅青年时于阿尔及利亚的巴特纳和阿尔及尔两地进行创作,后辗转于里昂、巴黎、纽约、柏林等地,最终再次回到巴黎生活和工作。这种流离辗转和无法抵达感也体现于他作品中,正如他作品中在海面上漫无目的行驶着的船,亦或是在虚空中下坠的人体,和停驻在栏杆上的信鸽。

地理意义上的无法抵达尚能被测定,但语言与概念实则更擅长展现迷踪。而阿岱尔·阿德斯梅显然是一个擅长运用不同媒介和叙述方式,从多种视角和来构建和表述未知的艺术家。

不同的媒介形式都在尝试描绘这种永恒轮回:电影会以它的运动来度量稍纵即逝,文学则筑造自我出逃的船体,用燃烧自己勾勒出概念的悖论。

视角决定现象的地图,方向、中心、速度?去还是来?在游走的时刻,谁将瓦解?

此次“游读”将结合导览及座谈的形式,观众将与讲者一起在美术馆中观看展览并展开深度对话。

About the Speaker 关于分享者

Ag (b. 1985) is a Shanghai-based writer. Her practice ranges from short stories, reviews, exhibition curation, visual imagery and performance art. She is the author of The Boundless Bedroom, Shanghai Geographical Notes, Deep Simulator and Night Watch.

Ag,漫游的写作者,1985 年生于上海。创作涉及短篇小说、评论、影像与策展。著有《无限的卧室》《上海地理注疏》《深渊模拟器》《夜巡》。

Photo On-Site 现场照片

Adel Abdessemed: An Imperial Message 阿岱尔•阿德斯梅:御旨