Rockbund Art Museum 上海外滩美术馆

Music Performance · Cracks on the Circumference I 实验音乐演出·圆周的缝隙 I

Event Information

Date: 16 October 2021
Time: 11:00 12:30
Venue: Rockbund Art Museum
Speaker: Second River, DYKK TRIO
Language: Chinese

活动信息

日期: 2021年 10月 16日
时间: 11:00 12:30
场馆: 上海外滩美术馆
主讲人: 二次河流、DYKK TRIO
语言: 中文

Music and sound are the result of circle and repetition. The circle of rhythm rolls, deforms, disappears in a familiar place, then deforms, recombines, and appears with another identity. When it accelerates to the limit, all sounds are compressed into a piercing sound. The noise passing through the cochlea, when the time is slowed down to the limit, the sound is like a ball of thread that has been unraveled, leaving only one thread that continues and is constantly changing.

The circle is an idea, not a real thing, so it will never fail. Fortunately, in the graph of the music industry, outside the perfect circle of bubbles, there are always fish that slip through the net, and matter always has a way to find cracks in the circle of ideas, exert gravity, and make reality more lovely. The hand-drawn circle is never perfect. If the signature is the failed part of writing learning, then the impromptu repetition is the polishing of the style, the gap that is intentionally pierced on the circle, or in other words, the creation itself.

The performance series planned this time will invite many experimental/improvisational musicians and groups in Shanghai to perform three performances under this common theme during the exhibition "John Armred: Again, Again". Each explores and understands sound.


音乐与声音是圆形与重复的结果,节奏的圆翻滚、变形、在熟悉的地方消失,然后变形、重组,以另一个身份出现,当它加速到极限,所有的声音都被压缩为一声穿过耳蜗的噪音,当时间被慢放到极限的时候,声音又如一团被解开的线团,唯剩一根绵延不绝,又不断处在变化中的丝线。

激浪是日常对艺术暧昧的溢出和挑衅,而“噪音”则是音乐产业的剩余部分,是主音周围漂浮的泛音,是从十二平均律下剥离出的微分音宇宙,是身体想要驯服的错拍与漏拍,它们从来都不是被发现、发明的,它们本来就在那里,比人类的历史还要悠久,它们一次又一次被版权和语言调用、剥削,但永远不会消逝,如无法穷尽的圆周率。声音不死,它只是在空间中以波的形式再生产,兜着一个不断扩张的音速之圆离开,从源头一次又一次地出发,直到永恒。

圆是理念,不是实物,所以它永远都不会失败。幸好,在音乐工业的图表,那完美的圆圈泡泡之外,总有漏网之鱼,物质总有办法可以在理念的圆周上找到裂痕,施加引力,让现实变得可爱一些。手画的圆从不完美,如果说签名是书写学习中失败的部分,那么即兴的重复便是对风格的打磨,是圆周上被有意刺穿的缝隙,或者说,就是创作本身。

这次策划的演出系列将邀请上海的多位实验/即兴音乐人、团体在本次“约翰·阿姆莱德:再,再” 展览期间,在这一共同的主题下做三场演出,展示各自对声音的探索和理解。

About the Event 关于活动

Music and sound are the results of circularity and repetition. The circle of rhythm rolls, transformsdeforms, disappears in familiar places, and then metamorphosesdeforms, reorganizes, and reappears in a differentanother identity. When it accelerates to an instantthe extreme, all the sounds aries compressed into a crack of noise that passes pierces through the cochlea. And Wwhen time is slowed down to a certain extentthe extreme, the sound will becomeis like an untied clewball of thread that has been untied: , just one long and single thread is left, that stretches and it constantly changes in the ocean of time.

Fluxus is an ambiguous overflow and provocation that our daily life exertsed on art, while “‘noises”’ isare the surplus part of music industry. It is , the overtones floating around the main keynote, and the a microtonal micro sound universe separated from the twelve-tonethe equal temperament, and the wrong shots notes and or missed shots notes that the body wants to tame. They were are nevernot “discovered” “discovered” or “”invented”” by anybody. They are just there, for a longer time than the entire human history. They have been maneuvredtransferred and exploited by copyright and human language again and again, but they will never disappear and lost its source, like the infinite number of digits in πinexhaustible ℼ. Sound does will nevernot die out, i. It is just is reproduced in the form of waves in space, leaving with an ever-expanding circle at the speed of sound, and starting from the source, again and again, until eternity.

Circle is an idea, rather thannot a physical object, s. Io it will never fail. Fortunately, outside the chart map of the music industry, outside thator say the perfect bubble, there will always be a fish that can slips through the net. There is always a way for physical beings to find a crack on the circumference of conceptual world, they canto exert gravity, and give it a push and make our reality a little more cute. Hand-drawn circles are never perfect. If signature is the failed failure from the learning of part of writing learning, then the improvisational repetition ated practice of improvisation is a way to the polishing of style; they are the cracks on the circumference that arehave been deliberately pierced, or in other words, they are the creation process itself.

This performance project series will invite several experimental, and improvisation musicians and music groups collectives in Shanghai to present three performances under an umbrellathis common theme during the exhibition period of ‘“John Armleder: : Again, Just Again”’exhibition, and to share with audience demonstrating their own exploration and understanding of sound.

音乐与声音是圆形与重复的结果,节奏的圆翻滚、变形、在熟悉的地方消失,然后变形、重组,以另一个身份出现,当它加速到极限,所有的声音都被压缩为一声穿过耳蜗的噪音,当时间被慢放到极限的时候,声音又如一团被解开的线团,唯剩一根绵延不绝,又不断处在变化中的丝线。

激浪是日常对艺术暧昧的溢出和挑衅,而“噪音”则是音乐产业的剩余部分,是主音周围漂浮的泛音,是从十二平均律下剥离出的微分音宇宙,是身体想要驯服的错拍与漏拍,它们从来都不是被发现、发明的,它们本来就在那里,比人类的历史还要悠久,它们一次又一次被版权和语言调用、剥削,但永远不会消逝,如无法穷尽的圆周率。声音不死,它只是在空间中以波的形式再生产,兜着一个不断扩张的音速之圆离开,从源头一次又一次地出发,直到永恒。

圆是理念,不是实物,所以它永远都不会失败。幸好,在音乐工业的图表,那完美的圆圈泡泡之外,总有漏网之鱼,物质总有办法可以在理念的圆周上找到裂痕,施加引力,让现实变得可爱一些。手画的圆从不完美,如果说签名是书写学习中失败的部分,那么即兴的重复便是对风格的打磨,是圆周上被有意刺穿的缝隙,或者说,就是创作本身。

这次策划的演出系列将邀请上海的多位实验/即兴音乐人、团体在本次“约翰·阿姆莱德:再,再” 展览期间,在这一共同的主题下做三场演出,展示各自对声音的探索和理解。

About the Performers 关于表演者

Second River

The A sound project collective founded byof Zhu Songjie and Bai Mengwei , began in 2015. They and has performed at the Sonic Circuits Festival in Washington, D.C. in 2018, t. In recent years, their practice focuses more on long notehe music they have made in recent years is more focused on Drone. Starting from two, vibrating points, the collective sees the coming of new members every now and then. With the two founding members as two fixed “points”, practice of the collective could be seen as vibration of the “line” connected by the two “points”. While the space for the “line” to explore expands and changes from time to time thanks to the vibration, it will return to the original state eventually. But each time the so-called “return” will imbue something new and different into the collective.

DYKK TRIO

DYKK Trio consists of Gguitarist 31, bassist Zhou Yi, and saxophone player Liu Zhongtian. Last year, their band Dolphy Kick Bebop, a band founded by the three of them, released a live album "Briefvisit" (WV Sorcerer, 2020), and . DYKK TRIO is another recent project they come up with, intending to focusing on the exploration toward the direction of free jazz and improvise chance music.

二次河流

朱松杰、白梦薇二人的声音组合计划,始于2015年,2018年曾赴华盛顿Sonic Circuit实验音乐节演出,近年更专注于长音。人员时有扩展,以两点一线的振动拓展折射的空间,踏入重复,而后在差异中回归。

DYKK TRIO

由31、周一、刘中天组成的吉他、贝斯和萨克斯三重奏。去年,他们的乐队Dolphy Kick Bebop/海豚踢发行了现场专辑《Briefvisit》(巫唱片WV Sorcerer, 2020),DYKK Trio则是他们近期的另一个项目,专注于在自由爵士、即兴音乐方向上的探索。

John Armleder: Again, Just Again 约翰·阿姆莱德:再,再