Projects on Social Art Practice by Artists in AsiaNov 10, 2013 Sunday 15:00 - 18:00

2F Y.W.C.A Building (133 Yuanmingyuan Road, Shanghai)
Cheng Yee Man (Gum), Li Juchuan, Li Yu, Wang Haichuan
Platform: Education
  • Part 2: Activating cities in the name of art

    Discussion Forum:

    Activating cities, art and community, spatial politics, the expanded boundaries of art and relational aesthetics

    Donghu Plan: Everyone’s Donghu | Wuhan Li Juchuan / Li Yu

    Tongyuan Bureau | Chongqing Wang Haichuan

    Woofer Ten Art Museum/C&G Art Unit |Hong Kong Cheng Yee Man (Gum)

  • Under-Construction/Reconstruction as the “Imagination” of Social Practice: Projects on Social Art Practice by Artists in Asia

    “As the ‘Imagination’ of Social Practice” highlights thefact that under the actual circumstances of globalization, local cultures are now displaying signs of new cultural characteristics with features of “resistance”, “localization”, “integration”, “fragmentation”, and “separation”. This is due to the overall influence from capitalist movements, political disputes, cultural infiltration, as well as networks and media communication. On this basis, the ways to treat and redefine artists’ work in this context will be the starting point of this discussion.

    “As the ‘Imagination’ of Social Practice” emphasizes a certain co-construction. The practice of artistic actions as cultural production under the current context will construct a new cultural text together with acts from other fields and perspectives. “Imagination” is the methodology and will also become content itself in actual fact. In terms of artistic practice, the “image”, the “imagined”, and the “imaginary”, all linked to “imagination”, are the passageway and specific threads through which to conduct the discussion.

    Back to the Asian context, the comparative model of dialogue of “East” and “West” and the “Third World” and the “Center”, an unvarying model originating from a Western perspective, has become, within the complex, multifarious, and rich contemporary Asian setting, a vague, simplistic, and rough description. Under the influence of globalization, the huge differences between different countries in Asia due to the geography, history, culture, and contexts have never presented a unitary and flat “group” identity but rather distinct and specific “individual” identities. “Back to Asia” is not only an action but a stance and an attitude. Of course, what needs to be emphasized again is that we need an Asia proper to Asia instead of an Asia observed under a Western perspective.... Read More

  • About the planner

    Ni Kun

    Director of Organhaus Art Space, Curator, Critic, was an artist. Born in Hunan, now lives in Chongqing. Co-founded art institution ‘haus ·M-commune, H2 Art Space', and established non-profit art organization ‘Organhaus Art Space' in China since 2006 as a co-founder and host. He focuses on the interactive art under the rapid urbanization and globalization in China and on this basis, launched 'Cities and Reconstructions' experimental art project, this practice further demonstrates his thinking to the current situation. As an independent curator, he has been invited by Germany, UK, Italy, Australia, India and other countries to visit the local art institutions, as well give lectures. In 2014, he will be invited to the Fukuoka Asian Art Museum in Japan as a researcher for a six-week thematic study.

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Projects on Social Art Practice by Artists in Asia

Nov 10, 2013 Sunday 15:00 - 18:00

2F Y.W.C.A Building (Shanghai 133 Yuanmingyuan Road)

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