Re-examine the Meaning of Community: from Political Philosophy to Psychoanalysis
Aug 13, 2017 Sunday 19:30 - 21:00
Rockbund Art Museum (Shanghai 20 Huqiu Road, Huang Pu District)
When exploring “the publicness in everyday life”, we have to first focus on the key issues of “community”: How do people live in a shared space that evolves into a “community”, in which every “member” is willing (or required) to live together in accordance with a set of rules? And who, on what basis, developed this set of rules, laying the foundations of the normativity of the community and governing people’s interactions in everyday life? Political Philosophy studies the group living of human beings (and the underlying ontological basis), while Psychoanalysis focuses on families, the basic form of community.
Wu Guanjun is a professor, PhD supervisor and Deputy Director of the Academic Board at the Department of Politics of East China Normal University (ECNU), Editor-in-Chief of the ECNU Review, and a jointly appointed professor at NYU Shanghai. He holds a Ph.D. in Philosophy from Monash University, Australia, and serves as a guest researcher at the University. Wu was honored with titles of “Shanghai Shuguang Scholar”, “Shanghai Pujiang Scholar”, and “Outstanding ECNU Scholar”. He has written seven books, such as Examining Your Everyday Life: Your Eating, Drinking and Entertainments under the Lens of Philosophy (Chinese), Sociology in Modern Era: From Psychoanalysis to Political Philosophy (Chinese), and The Great Dragon Fantasy: A Lacanian Analysis of Contemporary Chinese Thought (English). He is also a special commentator at CCTV-News and an interviewer of guests in the entertainment show “Wise Men Talk”.
Jiang Jun, an artist and art critic who graduated from Kunstakademie Münster receiving the title Meisterschüler of Prof. Aernout Mik, a reseacher at the theoretical studio of Shanghai Public Art Cooperation Center (PACC) and the International Public Art Association (IPA), and one of the founders of the Art Bureau of Investigation. He is currently a PhD candidate of iconology and exhibition culture studies at China Academy of Art and Peking University, and lives and works in Hangzhou and Shanghai.
The Rockbund Art Museum (RAM) and the Public Art Cooperation Center (PACC) are jointly presenting a series of academic talks on “the publicness of the community” (die Öffentlichkeit der Gemeinschaft) from August to December, 2017.
Today, the concept of “community” (Gemeinschaft) has become particularly important, as the increasing division of labor and fast mobility in society result in a status that “all that is solid melts into air, and all that is holy is profaned,” as described in the Manifesto of the Communist Party. Since the start of modernity, lives of traditional communities have been degrading towards two opposite directions: the atomization of individuals, and the construction of new alternative communities. The degradation can be found everywhere, from large organizations such as a regional political union or a country, to small units like a working group or a one-to-one relationship. In addition, the current global economic integration is leading to fast and unstable change of life, as well as the rapid gathering, division and reconstruction of communities… A stable relation and the pursuit toward a community have emerged as a compensatory measure for or the resistance to an atomized and alienated society, and an attempt to regain a healthy and humane life – living as a socially integrated individual.
In March 2017, RAM hosted the Audiences International Symposium, aiming to re-examine the definition of “audience” and its implication to today’s people and institutions. Over the past two decades, a new round of museum expansion and the significant changes of societies and technologies have resulted in reforms on daily operation of institutions. Therefore, it is increasingly critical to figure out how museums and art institutions, both identified as public institutions, should respond to such changes. Today, art institutions are performing more and more functions: they have to not only establish deeper and more diverse interactions between modern art projects and their audience, but provide extensive public activities outside the institutions for a wide range of social groups.... Read More
Free admission, reservation is required.